Location: Akademie der Künste, Berlin 6.30pm

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Progr, Bern 

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: tba, Geneva

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Wurm, Basel 9pm

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Kulturhaus Helferei, Zurich 

as part of reConvert's "Lecture About Myself" by Kaj Duncan David

“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.

The Line (2007) video/sound art 

The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger

For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert

Location: Radialsystem, Berlin 20h

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://radialsystem.de/programme/58199/205621/?lang=en

Location: UCSD, Experimental Theatre, La Jolla

[Switch~ Ensemble] presents a workshop performance of our brand new project "Up Close" for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.

Also on the bill trio music (cl, pno, vcl) of Ashley Fure, Anne Louise Walton and "surge" by Rosenberger

Location: Resonanzraum, Hamburg 20h

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://www.triocatch.com/de/ohrknacker.html

Location: Wohnzimmer, Markthalle Basel, 20h

On trombones Jon Roskilly, Kevin Austin, Stephen Menotti, and Mike Svoboda.
Quartets by Annesley Black, Valerio Sannicandro, Jon Roskilly, and Kevin Juillerat, as well as "strangely entertaining" (Quote: Mike Svoboda) duos from Loic Destemau and Katharina Rosenberger

Location: The Institute, Zurich

OHRKNACKER

Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik

https://www.triocatch.com/de/ohrknacker.html

Location: Tinguely Museum, Basel, Switzerland, 20h

MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello

and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto

http://vertixesonora.net/en/evento/migracion-iii/

MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello

and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto

http://vertixesonora.net/en/evento/migracion-iii/

Location: Salle de l'Aubette, 35 Place Kleber, Strasbourg 15h30 - 17h30

Impulse neue Musik
Panel "Avons-nous la même oreille?"

with
Björn Gottstein
Lydia Rilling
Katharina Rosenberger
Stéphane Roth

Location: The Witold Lutoslawski Concert Studio, Warsaw, Poland

Reprise of the orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann

Location: Güterbahnhof Wolf, SBB Halle

World premier of site-specific orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann

Location: Museo Vostell Malpartida, 21h

Alessandra Rombolà (flute) and Xelo Giner (saxophone) present music by
Daniela Terranova, Inés Badalo, Diana Rotaru, Alessandra Romolà, Sarah Nemtsov, Fran MM Cabeza de Vacca 

Monday, July 22, 2019 14h
Lecture

Conservatorio di Svizzera italiana, Lugano
Aula 305
 

http://www.ticinomusica.com/concerto/compositori-svizzeri-contemporanei-si-presentano-22-7-2019/

MEET THE ARTISTS

Der Sommer in Stuttgart
21.07.2019, 16:00–18:00 / Stuttgart / Theaterhaus / Südseite-P2

Regisseur Ludger Engels und Komponistin Katharina Rosenberger geben Einsicht in die Arbeit an Ihrer neuen Installation, die in Zusammenarbeit mit den Neuen Vocalsolisten entstanden ist:

The Journey 
Klang- und Videoinstallation

mit den Neuen Vocalsolisten

Momo Lischker, Schnitt
Andrew Munsey, Ton

„The Journey“ basiert auf der szenischen Aufführung „tempi agitati“. Die Installation versteht sich nicht als Dokumentation, sondern spiegelt das Potenzial einer Live-Performance und damit von einem Geschehen mit autonomer Ausdruckskraft, die sich im Medium Video wiederfindet.

Auf drei Leinwänden und mit einem mehrkanaligen Raumklang wird die Unmittelbarkeit der Live-Performance und die Nähe von Publikum und Neuen Vocalsolisten neu ausgelotet sowie die Wahrnehmung von Raum und Zeit.

Die Installation nimmt Bezug auf die historische Relevanz der „cori spezzati“ und ihre großen Meister aus der Renaissance: Adrian Willaert und Cipriano de Rore. Zentrales literarisches Bild ist dabei Francesco Petrarcas beschwerliche Bergbesteigung des Mont Ventoux. Die Suche nach Zugehörigkeit, Einklang und Sinn seiner Existenz gewinnt durch die speziell für die Installation entwickelte Choreographie sowie Nah- und Detailaufnehmen an Intensität und Eindringlichkeit.

„The Journey“ zieht das Publikum in einen immersiven und sinnlichen Sog, inmitten der kraftvollen Stimmen der Neuen Vocalsolisten

Die Installation ist zugänglich in kleineren Gruppen von 8-10 Personen.
Die Künstler*innen sind vor Ort und ein Austausch mit dem Publikum wird angestrebt.

Theaterhaus Stuttgart
Südseite-P2
Siemensstraße 13 
70469 Stuttgart 
Deutschland

Kontakt/Anfahrt:
https://mdjstuttgart.de/kontakt.html

Location: Stockalperschloss, Brig

Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?

http://franziskaheinzen.com

Location: Tonhalle Düsseldorf

Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?

http://franziskaheinzen.com

Location: Smock Alley Theatre, Dublin, Ireland, 20h

Retro Disco performs yet again "if they bite with all their might". Further works by Jannik Giger, Eoin Callery, Robert Ashley, David Sontón Caflisch.

The 2019 Archipelago Academy is dedicated to composing for the voice!!

March 31 to April 7, 2019 in Geneva.
With Katharina Rosenberger and the Neue Vocalsolisten.

Open to composers born after January 1st 1989 (30 years old in 2019 or younger).
Application deadline: February 28th, 2019
Info: https://www.ulysses-network.eu/competitions/archipel2019/

Location: Kaserne Basel, Switzerland, 17h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Kaserne Basel, Switzerland, 20h

As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.

Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.

Location: Médiathèque Valais, Sion, 7.30pm

L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt

Location: Studio Ernest-Ansermet, Geneva, 11am

L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt

Location: National Sawdust, Brooklyn, New York, 7pm

World premier of "folds"

https://nationalsawdust.org/festivals-and-series/ferus/

folds is generously supported by National Sawdust, and in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the Foundation for Contemporary Arts Emergency Grant.

Location: HAU Hebel am Ufer, 8-10pm

features "modules" performed by Ensemble KNM Berlin

also on the bill
Fågelle w/ Beate Kunath (visuals) || Claudia Robles - Angel || Akkamiau Kočičí aka Lenka Kocisova w/ Alessandra AiKia Werkstatt aka Alessandra Leone (visuals) || gudrun gut || NeoNeoneo Hülcker w/ #AntoniaBaehr || Paula Schopf || Mary Čtvery || Zorka Wollny || Nora Krahl w/ Sena Basoz (visuals) || Nina Dragicevic || Steffi Weismann || Annea Lockwood || Jessica Ekomane Etoua

http://www.heroines-of-sound.com/

Location: Chinese University of Hong Kong, Hong Kong

Location: Oil Tank Culture Park in Seoul, South Korea, 8pm

Location: The Vortex, 7pm

M.A.R.S. Music & Arts ReSounds, Los Angeles 2018
Multiverse

world premier of "In the dream that I dreamed, you awoke" for soprano, flutes, bass clarinet, tenor saxophone, trombone, violoncello, electronics and 3D projections

in collaboration with THIS PLAY, Vienna and the musicians of the MARS collective

Location: La Romandie

An evening concert dedicated to the portrait CD SHIFT, featuring modules and compositions for two trombones Re-SHIFT & Interludes

performed by zone éxperimentale basel & les trombones de bâle, under the direction of Mike Svoboda

Location: Münster Bern

Nachtgezeiten / Zeitinseln
World premier of SCHICHTUNG '50 for organ and electronics. In collaboration with organist Daniel Glaus.

Location: KKL Lucerne

World premier of "Meeresgesänge", a composition for a choir sculpture and three percussionists

featuring the Basler Madrigalisten and Trio Klick

Location: Christuskirche, Conrad-Wilhelm-Hase-Platz 1, Hannover

Hochschule für Musik, Theater und Medien
CHORPROJEKT EARTH#SKY#SPACE: Konzert "Space"

Werke für männliche Stimmen von u. a. Enno Poppe und Katharina Rosenberg und vier Uraufführungen von Studierenden der Kompositionsklasse Ming Tsao/Gordon Williamson. Außerdem wird ein Kurzfilm über die Zusammenarbeit zwischen den Singenden und Komponierenden zu sehen sein.

Mit Martin Nagy, Tenor | Guillermo Anzorena, Bariton | Andreas Fischer, Bass (Neue Vocalsolisten Stuttgart)

Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/

q u a r t e t  -  bodies in performance
klang und video installation
9 - 23 juni 2018
 

Im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.

vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.

quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur

Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.

Location: Salisbury Congregational Church

Performed by student participants of the festival  :-)

Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/

q u a r t e t  -  bodies in performance
klang und video installation
9 - 23 juni 2018
 

​
v e r n i s s a g e
freitag, 8 juni, 2018

live performances
19h15 simone keller, klavier
19h45 moritz müllenbach, violoncello
20h15 brian archinal, schlagwerk
danach sounds by dj pyroman, turntables
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.

vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.

quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur

Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.

Location: Meany Studio Theatre, University of Washington

Location: CalArts | California Institute of the Arts

under the direction of Nicholas Deyoe and invited trombonists Matt Barbier and Weston Olencki, the students of CalArts perform the American premier of SHIFT

Location: UCSD, Concert Prebys Music Hall

Wonderful kallisti ensemble performs excerpts out of the tempi agitati vocal cycle, Vive Faville for six and Tratti Confluenti for two spatialized singers.

On the program as well compositions by Elizabeth Angot, Ana Sokolović and Karin Rehnqvist.

Location: Zentrum für Kulturproduktion

ignm Bern MAKROKOSMOS

Works by Manos Tsangaris, Simon Steen-Andersen, Katharina Rosenberger, Blaise Ubaldini, Carolyn Chen, Justin Rabideau, Miao Zhao, Katelyn Rose King-Utzinger, Marie Delpart.

https://ignm-bern.ch/konzerte/makrokosmos

featuring the Neue Vocalsolisten

www.archipel.org

Sound X presents

2.30pm Western Washington University, Department of Music

7.30pm Performing Arts Center, Western Washington University

Location: Center for New Music

With works by the Swiss composers Walter Feldmann, Tobias Krebs, Katharina Rosenberger and Jürg Wyttenbach as well as the stand-out compositions from composition students of Stanford University and UC Berkeley

Location: Temple University

Location: Spectrum, 70 Flushing Avenue, Garage A, Brooklyn 

Program
William Dougherty – that feeling in your jaw
Fernando Manassero – Drop of Mercury
Dieter Ammann - d'Accord(s)
Katharina Rosenberger - La Chasse
Matias Far - El poeta – en 7 letras, una de ellas releida
Paul Clift – duet/anagram

Location: An Die Musik Live!

January 4-7, 2018 SoundOn Festival voyages at The Athenaeum Music & Arts Library

Gesang an das namenlose Land was beautifully performed by Mona Tiang (violin), Mark Menzies (viola), Frankling Cox (violoncello)

http://sandiegonewmusic.com/2018-soundON.html

Location: Ackermanshof

Further works by David Sontòn Caflisch, Jannik Giger, and Michael Meierhof.

Location: New Zealand School of Music

And with music by Sarah Ballard, Michael Norris, Oliver Thurley, Michael Wertmüller.

Location: Forum Nueva Musica Cordoba

And music by Stefan Prins, Mark Barden, Mark Andre, Oliver Thurley, Michael Wertmüller 

Location: Konzertsaal 1, ZHdK

SABRe / Premiere Concert

with premiers by Thomas Kessler, Jacopo Baboni-Schilling, Marc Estibeiro, and existing work by Laurie Altman, and nodes by Katharina Rosenberger

Location: Studio6

EXPATS!
a concert organized by IGNM BERN

And with music by Richard Barret, Ricardo Eizirik, and Nemanja Radivojevic, u.a.

Location: New Music On the Point

A portrait concert featuring la chasse, five faville, E.E.Cummings Miniatures
performed by New Music On the Point faculty and students.

Location: Gare du Nord

World premier of Bögen for four hand piano and coordinated movements.
The concert features a dozen of newly composed pieces all circling around György Kurtág's Játétok.

Location: Angel City Brewery

M.A.R.S. Festival

M.A.R.S. Electric featuring music by Charles Peck, Saad Haddad, Alyssa Weinberg, and Jorge Sanchez-Chiong.

http://www.festivalmars.com/

Location: Atlas Theater, University of Colorado

New Pendulum Music Series

World premier of multichannel electro-acoustic work flowchart_1,and wonderful interpretation of ahom for solo piano by Hsing-ay Hsu.

For more information: https://www.colorado.edu/pendulum-new-music/

Location: Gare du Nord, Basel

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Conservatoire de Genève

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Conservatorio della Svizzera Italiana

PlanetBACH, Swiss Chamber Concerts

And with music by Johann Sebastian Bach and Amadeus Mozart.

Location: Experimental Theatre, Conrad Prebys Music Center

Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.

Location: Conrad Prebys Concert Hall

Location: Kunstquartier Bethanien

Klangwerkstatt

And further works by Jannik Giger, Stefan Keller, Ricardo S.Eizirik.

Carlsbad Music Festival

And works by Michael Finnissy, Richard Valittuto, Chaya Czernowin, Amy Beth Kirsten, and Thomas Adès.

Location: L’Eglise Notre-Dame à Saint Père

La Cité de la Voix

tempi agitati (excerpts) and music by Karlheinz Stockhausen and Evis Sammoutis.

Location: SeaM, Bauhaus University

No-LIMITS Festival für Elektroakustische Musik

featuring music u.a. by Caroline Miller, Teresa Carrasco.

Location: Kino Apollo

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Ancienne Couronne

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Kunstraum Walcheturm

une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco,   Comagnie BINºOCULAIRE, and Ensemble ö!

Worldpremier of if they bite with all their might for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.

Location: Erarta Museum

Festival reMusik

And works by Jannik Giger, Michael Wertmüller, Michael Petzel, Stefan Keller, Enno Poppe, Mehdi Hosseini.

Location: Los Angeles City College

Schubert Resonances

And works by Kevin Kelly, Richard Valittuto, Chaya Czernowin, Morton Feldman, and Franz Schubert.

Location: Stanzerei

Numu Concert Series

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: Conservatoire de Lausanne

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Felicja Blumental Festival

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: Stiftskirche

Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.

Location: Gare du Nord

a concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.

Location: Fondation l'Abri

A concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.

Location: KKL Concert Hall

Surround orchestra, featuring Yaron Deutsch and Maurizio Grandinetti on e-guitars on the side galleries, with a wind quartet (ob, cl, t-sax, trp) and percussion on the balcony.
Under the direction of Steven Sloane.

Location: Beta Level, Chinatown

And more fine music by Kurt Isaacson, Weston Olencki, Tomothy McCormack, Katherine Young, Nicholas Deyoe, and Matt Barbier.

Location: Centre Henri Pousseur

Festival Image Sonore

curated by Ine Vanoeveren

www.images-sonores.be

Location: Eastman School of Music

Location: Kleiner Wasserspeicher, Prenzlauerberg

Opening, September 3, 6pm
on view Thu to Sun, 2pm to 7pm

see also www.vivavoce.ch

Location: Christuskirche

Portrait Konzert Katharina Rosenberger

Upon the invitation of the Hannoverischen Gesellschaft für Neue Musik, curated by Margit Kern.

Location: CPMDT Geneva

As part of the conference "La direction d'orchestre au prisme du genre".

Location: Italian Cultural Institute of San Francisco

with works by
Meris Angioletti / Alessandro Cardinale / Zoè Gruni /
Laura Riboli / Matteo Vinti

a show co-curated by Katharina Rosenbeger, Anna Dusi, Maria Francesca Palmerio. 

Location: Cheyenne Central High School Auditorium

LCCC Foundation Concert

Location: Gare du Nord

Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24  for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)

Location: University of Florida

Florida Contemporary Music Festival

Featuring the acoustic and electro-acoustic works of Daniel Kellogg and Katharina Rosenberger

Unerhörte Musik

Location: Schloss Werdenberg

SCHLOSSMEDIALE WERDENBERG
Das Ewig Weibliche

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: UCSD Conrad Prebys Concert Hall

Location: Temple Allemande

with Vokal Solistenensemble Voc_4:
Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano)
Christa Wenger (Licht)
Ric Schachtebeck (Choreographie)
Katharina Rosenberger (Composition, Concept)
Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: UCSD Experimental Theatre
SPRING FEST 2014

Location: Schlosskirche Pforzheim

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate  humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Eglise St. Foy

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Gare du Nord

Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).

Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari. 

Location: Gare du Nord
Journées Contemporaines

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Stadthaus Zürich

Klangraum - Raumklang
an initiative by Musikpodium Zürich

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Kreuzgang, Grossmünster

Klangraum - Raumklang
an initiative by Musikpodium Zürich

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

http://madrigali-notturni.krosenberger.ch/

Location: Arne-Jacobsen-Foyer, Herrenhäuser Gärten
KunstFestSpiele Herrenhausen

with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)

www.http://madrigali-notturni.krosenberger.ch/