Find here information on concert performances, exhibitions of installation work or screening of video works, as well as curatorial work I have engaged with.
Location: Hochschule Musik - Luzern, Lucerne, Switzerland, 19:00
(details follow)
Location: Royal, Baden, Switzerland, 20:00
Program:
SCHWIMMKÖRPER
Katharina Rosenberger
Neues Werk (UA) for saxophone, e-guitar, keyboard and fixed media
Germán Toro Pérez
Neues Werk (UA) for e-guit and electronic
Eric Wubbles
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)
***
Eric Wubbles
Axamer Folio (2015) for saxophone and drumset (version 2)
Felix Nussbaumer
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video
Website Soyuz21
https://soyuz21.ch/en/agenda
Location: Druckereihalle Ackermannshof, Basel, Switzerland, 20:00
Program:
SCHWIMMKÖRPER
Katharina Rosenberger
Neues Werk (UA) for saxophone, e-guitar, keyboard and fixed media
Germán Toro Pérez
Neues Werk (UA) for e-guit and electronic
Eric Wubbles
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)
***
Eric Wubbles
Axamer Folio (2015) for saxophone and drumset (version 2)
Felix Nussbaumer
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video
Website Soyuz21
https://soyuz21.ch/en/agenda
Location: Kunstraum Walcheturm, Zurich, Switzerland, 17:00
Program:
SCHWIMMKÖRPER
Katharina Rosenberger
Neues Werk (UA) for saxophone, e-guitar, keyboard and fixed media
Germán Toro Pérez
Neues Werk (UA) for e-guit and electronic
Eric Wubbles
Axamer Folio (2015 /2022 UA new version) for saxophone and drum set (version 1)
***
Eric Wubbles
Axamer Folio (2015) for saxophone and drumset (version 2)
Felix Nussbaumer
»floater« (UA) for e-guitar, saxophone, keyboard, live-electronics and video
Website Soyuz21
https://soyuz21.ch/en/agenda
Location: Wiener Konzerthaus, Berio-Saal, Vienna, Austria
With works by Hristina Šušak, Katharina Rosenberger, Reinhold Schinwald and Maurizio Azzan
Website Ensemble Phace
https://phace.at/events/
Location: Musikhochschule Lübeck, Lübeck, Germany
Brahms Festival "Dialogue"
Side-by-side concert with student performers of the Musikhochschule Lübeck and Ensemble Recherche
Program:
Anahita Abbasi Situation IV/ Io E iO
solo violin
Katharina Rosenberger Atchafalaya Remix
bass-cl, perc, pn, va, vc + fixed media
Kristine Tjøgersen Seafloor Dawn Chorus
fl, cl, perc, pn, vn, va, vc
Payman Mansouri new work (UA)
for twelve musicians
Location: Frequenz Festival, Kiel, Germany
Side-by-side concert with student performers of the Musikhochschule Lübeck and Ensemble Recherche
Program:
Ricardo Eizirik exercise in metal II (UA)
for 4 performers and live-sound spatialization
Kristine Tjøgersen Seafloor Dawn Chorus
fl, cl, perc, pn, vn, va, vc
Katharina Rosenberger Atchafalaya Remix
bass-cl, perc, pn, va, vc + fixed media
Payman Mansouri new work (UA)
for twelve musicians
Location, Swiss Embassy
With music by Dmitri Kourliandski, Alexander Khubeev, and Katharina Rosenberger
Listening Link: https://www.srf.ch/audio/musik-unserer-zeit/komponieren-mit-katharina-rosenberger?id=12310201
Sendung 11.01.2023, 20:00 Uhr, Radio SRF 2 Kultur
Redaktion: Florain Hauser
Die Intendantin des Festivals Sonic Matter heisst Katharina Rosenberger. Und sie kuratiert nicht nur, sondern ist auch selbst Komponistin. Heute macht sie sich über ihr Metier einige Gedanken: Komponieren, wie geht das eigentlich?
Da reifen Ideen wie Samenkörner im Kopf, bevor auch nur eine einzige Note aufs Papier geworfen wird. Da muss man/frau ausschneiden aus der Fülle von Möglichkeiten, die Vielfalt der Möglichkeiten auf fünf Notenlinien herunterbrechen, dann wird die Notenschrift selber zum Terrain der Reflexion Vielleicht. Vielleicht ist es aber auch ganz anders? Annäherungen an ein fast ungreifbares Phänomen.
Wdh. vom 15. April 2020
//
A conversation with Florian Hauser
The artistic director of the Sonic Matter festival is Katharina Rosenberger. And she not only curates, but is also a composer herself. Today she has some thoughts about her profession: Composing, how does that actually work?
Ideas ripen like seeds in the head before even a single note is thrown down on paper. You have to cut out of the abundance of possibilities, break down the variety of possibilities to five staves, then the musical notation itself becomes the terrain of reflection. But maybe it is also completely different? Approaches to an almost intangible phenomenon.
Sendung: hr2-kultur, "Neue Musik", 05.01.2023, 21:30 Uhr.
Die Komponistin Katharina Rosenberger
In den Werken der Schweizer Komponistin und Klangkünstlerin Katharina Rosenberger, die lange in Los Angeles gelebt hat und nun eine Professur an der Musikhochschule Lübeck bekleidet, schichten sich Geschichten. Texturen eröffnen Flächen und eine Fülle von Spuren führt uns archäologisch in die Tiefen des Klangs.
Vorgestellt von Karl Ludwig
Die Kompositionen von Katharina Rosenberger (* 1971) versuchen, den Raum in der Musik zu öffnen: Durch spektrale Auffächerung des Klanginneren, in figuralen Beziehungen und kreisenden Formen quer zum musikalischen Zeitlauf, durch Einbindungen von Videos und der spezifischen Akustik der jeweiligen Architektur. Überdies durch die Integration von politischen, sozialen und persönlichen Schichten und Geschichten, die unser Leben, seine Beziehungen und Orte prägen. Diese Vielschichtigkeit lässt die Komplexität unserer Gegenwart ästhetisch erfahrbar werden und fordert zu einem Hören auf, das sich stets von Neuem in die Tiefenschichten des Klangs hineinwagt.
Location: Wiener Konzerthaus, Mozart Saal, Vienna, Austria
World premier of The Future is a Broken Record, commissioned and composed for Johanna Vargas (soprano), Marcus Weiss (alto saxophone), Uli Fussenegger (contrabass). Libretto by Katharina Rosenberger, Patrick Klingenschmitt, and poetry by Rozalie Hirs.
Program
Nadir Vassena: luce migrante. quasi un madrigale based on a poem by Fabio Pusterla (2021 UA) - 21'
Klaus Lang: cantica christinae. III – a summer wish (2020 UA) - 12'
Katharina Rosenberger: The Future is a Broken Record (2022 UA) - 16'
with texts by Katharina Rosenberger, Patrick Klingenschmitt and Rozalie Hirs
"The music of the interdisciplinary composer Katharina Rosenberger, who lives in Zurich and Lübeck, is about more than notes. The Future is a Broken Record is set in a present that spins in destructive endless grooves, between pessimism, optimism and activism." (Wien Modern)
Location: Kulturni Centar, Osijek, Croation, 20:00
Part of NOVALIS FESTIVAL 2022 - MIGRATION
Information on the Festival and Guest Lecturers,
Pierre Jodlowski
Katharina Rosenberger
Johannes Kreidler
Davor Vincze
and Guest Performers
Barbara Lüneburg
Mia Elezovic
Szilard Benes
https://novalisconcept.hr/index.html
Location: Pantin, Paris, France, 19:00
Swingersclub No3
New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.
Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects
Location: Cité de la Musique et de la Danse, Strasbourg, France, 19:00
Swingersclub No3
New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.
Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects
Location: Gare du Nord, Basel, Switzerland, 20:00
Swingersclub No3
New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.
Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects
Location: Lavaterhaus, Zurich, Switzerland, 19:00
Swingersclub No3
New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.
Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects
Location: Progr, Bern, Switzerland, 20:00
Swingersclub No3
New music is cheating! Ensemble Lemniscate and collective lovemusic swing together through the evening and play works by Maximilian Marcoll, Sylvain Marty, Andreas Eduardo Frank, Santiago Díez-Fischer, Georgia Koumará & Katharina Rosenberger.
Ensemble Lemniscate Swingers Club
https://www.ensemblelemniscate.com/copy-of-projects
KATHARINA ROSENBERGER’S “tempi agitati”!
To texts by Petrarch
Neue Vocalsolisten Stuttgart
mode 334
https://moderecords.com/catalog/334rosenberger/
https://moderecords.bandcamp.com/.../tempi-agitati-mode-334
On April 6, 1327, a 22-year-old Italian poet named Francesco Petrarca caught a glimpse of a young woman, Laura, in a church in Avignon. He later reported that “living sparks issued from two lovely eyes”. Those sparks enflamed Petrarch such that he spent the rest of his illustrious career coming to terms with them.
Madrigals were developed in the 16th century by Adrian Willaert and Cipriano de Rore, which took Petrarch’s agonized images as justification for violating the rules that had guided musicians since before the beginnings of notated music.
Those living sparks have leapt ahead seven more centuries to inspire Katharina Rosenberger. Her “tempi agitati” embeds Petrarch’s texts (especially fragments from his “Ascent of Mount Ventoso”) and settings of sonnets by Willaert and Rore within her own responses to those materials.
In live performance, Rosenberger works together with stage-director Ludger Engels to distribute members of the ensemble, Neue Vocalsolisten, around the sound space; they dart around throughout the site, thereby embodying Petrarch’s “vive faville.” While a sound recording lacks the visual dimension crucial to Rosenberger’s concept, it allows the listener to attend much more closely to her rich tapestry of sonorities as she puts Petrarch’s 14th-century poetry and 16th-century madrigals into dialogue with her extended vocal techniques.
Sometimes the singers coalesce into whole polyphonic samples before returning to the extended vocal techniques from which they had emerged. Sometimes, finally, the madrigal itself appears, now intact. Rosenberger thereby simulates Petrarch’s struggle to put into coherent form his reactions to Laura’s glance.
Those living sparks have indeed inflamed thousands: Laura’s glance goaded Petrarch to the heights of formal perfection in his sonnets, and it led the madrigalists to imagine tonal worlds far beyond the stylistic precepts they had inherited. Finally, it has inspired Rosenberger to push voices to exceed the limitations of usual vocal technique, to offer simulations not only of those moments of Petrarch’s lucidity but also of those in which he grasped for the tools necessary for articulating the chaos that reigned relentlessly within him.
Complete Petrarch texts included. Liner notes by Susan McClary (English) and Thomas Meyer (German).
Location: Festival SINUS TON, Magdeburg
Program
JASON THORPE BUCHANAN soliloquios del viento
KATHARINA ROSENBERGER Up-Close
LEILEHUA LANZILOTTI Born is the Rain
TED MOORE Quartet
IGOR C. SILVA Smart-alientation
Location: DiMenna Center for Classical Music, New York 19h30
Program
KATHARINA ROSENBERGER Up-Close
JASON THORPE BUCHANAN soliloquios del viento
CLAY METTENS Into the empty sky
ERIKA DOHI New Work
CATHY VAN ECK Wings
DIETER AMMANN CUTE
Festival ZeitRäume
Location: CIBA Areal, K26, Klybeck, Basel 19h
«Urban Morphologies Issue #21/09/Basel» – eine Konzertinstallation von Katharina Rosenberger (Komposition) und Betina Kuntzsch (Video), uraufgeführt vom ensemble mosaik
Drei Städte im Wandel. «Urban Morphologies Issue #21/09/Basel» handelt vom Verschwinden, von Sehnsüchten und vom Werden, von Utopie, Resistenz und Resilienz. Architektur für Geldanlagen, gespaltene Stadtviertel und rasanter Wandel, aber auch die Notwendigkeit für Dialoge und Austausch durch alle Gesellschaftsstrukturen sind die Konsequenzen. Die Herausforderungen sind überall dieselben. Die Auswahl Berlin – Los Angeles – Basel ergab sich durch die Zusammenarbeit der beteiligten Künstler*innen, die sie bewohnen, ihre Transformation miterleben und sich fragen, wie sehr dieser Wandel doch von ihnen mit zu verantworten ist?
In «Urban Morphologies Issue #21/09/Basel» begibt sich das Publikum zusammen mit den Künstler*innen auf eine audiovisuelle, kammermusikalische und installative Tour mit Indizien der Vergangenheit, Gegenwart und hypothetischer Zukunft dieser drei Städte. Dabei verwischen die Grenzen und es ist mitunter unklar, in welcher Stadt man sich gerade befindet. Einzelne Orte geraten ins Blickfeld, Parallelen und Verbindungspunkte tun sich auf, Erinnerungen und Fantasien verselbständigen sich. In Interviews und Rezitationen kommen lokale Bevölkerungen wie auch die Wissenschaft zu Wort, Klangwelten markanter Orte werden nachempfunden und weitergesponnen. Die Foto- und Videodokumentationen der sich wandelnden Städte und ihre Menschen gehen auf in dynamische Bildwelten.
Katharina Rosenberger - Konzept, Komposition
Betina Kuntzsch - Video
ensemble mosaik
Simon Strasser - Oboe, Christian Vogel - Klarinette, Sebastian Lange - Saxofon, Ernst Surberg - Klavier / Turntables, Chatchatur Kanajan - Violine, Karen Lorenz - Viola, Mathis Mayr - Cello, Arne Vierck - Klangregie
Gwen Kyrg, Camilla Fehér - Performance und Stimme
Patrick Klingenschmitt - Dramaturgie
Kalma X / Eckehard Güther - Videotechnik
Location: Silent Green, Betonhalle, Berlin 20h
«Urban Morphologies Issue #21/09/Berlin» – eine Konzertinstallation von Katharina Rosenberger (Komposition) und Betina Kuntzsch (Video), uraufgeführt vom ensemble mosaik
Drei Städte im Wandel. «Urban Morphologies Issue #21/09/Berlin» handelt vom Verschwinden, von Sehnsüchten und vom Werden, von Utopie, Resistenz und Resilienz. Architektur für Geldanlagen, gespaltene Stadtviertel und rasanter Wandel, aber auch die Notwendigkeit für Dialoge und Austausch durch alle Gesellschaftsstrukturen sind die Konsequenzen. Die Herausforderungen sind überall dieselben. Die Auswahl Berlin – Los Angeles – Basel ergab sich durch die Zusammenarbeit der beteiligten Künstler*innen, die sie bewohnen, ihre Transformation miterleben und sich fragen, wie sehr dieser Wandel doch von ihnen mit zu verantworten ist?
In «Urban Morphologies Issue #21/09/Berlin» begibt sich das Publikum zusammen mit den Künstler*innen auf eine audiovisuelle, kammermusikalische und installative Tour mit Indizien der Vergangenheit, Gegenwart und hypothetischer Zukunft dieser drei Städte. Dabei verwischen die Grenzen und es ist mitunter unklar, in welcher Stadt man sich gerade befindet. Einzelne Orte geraten ins Blickfeld, Parallelen und Verbindungspunkte tun sich auf, Erinnerungen und Fantasien verselbständigen sich. In Interviews und Rezitationen kommen lokale Bevölkerungen wie auch die Wissenschaft zu Wort, Klangwelten markanter Orte werden nachempfunden und weitergesponnen. Die Foto- und Videodokumentationen der sich wandelnden Städte und ihre Menschen gehen auf in dynamische Bildwelten.
«Urban Morphologies» ist der Auftakt in der Reihe «realities, places and displacements of places» im silent green. In den insgesamt vier Konzertabenden werden urbane Entwicklungen thematisiert und soziokulturelle Zusammenhänge hinterfragt.
Katharina Rosenberger - Konzept, Komposition
Betina Kuntzsch - Video
ensemble mosaik
Simon Strasser - Oboe, Christian Vogel - Klarinette, Sebastian Lange - Saxofon, Ernst Surberg - Klavier / Turntables, Chatchatur Kanajan - Violine, Karen Lorenz - Viola, Mathis Mayr - Cello, Arne Vierck - Klangregie
Gwen Kyrg, Camilla Fehér - Performance und Stimme
Patrick Klingenschmitt - Dramaturgie
Kalma X / Eckehard Güther - Videotechnik
Location: Smog, Brussels
ARRANGEMENTS
Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik
Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik
Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik
Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables
Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl
* CH Premiere of the new version (y-band arrangement)
y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre
Location: Stromraum, Stuttgart
ARRANGEMENTS
Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik
Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik
Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik
Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables
Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl
* CH Premiere of the new version (y-band arrangement)
y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre
Location: Kirche Mariahilf, Graz 20h
no voice other than this pen...
Gesprächskonzert - concert & talk
Programm
Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...)
for four voices, bass clarinet, accordion and violin
Alexander Kaiser (*1985) Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics
Hannes Kerschbaumer (*1981) Das irdische Leben
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
hyperdermic drift, wp
for four voices, three instruments and electronics
Cantando Admont
Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass
Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon
under the direction of
Cordula Bürgi
Im Rahmen der Gustav Mahler Wochen, Toblach
no voice other than this pen...
Gesprächskonzert - concert & talk
Programm
Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...)
for four voices, bass clarinet, accordion and violin
Alexander Kaiser (*1985) Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics
Hannes Kerschbaumer (*1981) Das irdische Leben
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
hyperdermic drift, wp
for four voices, three instruments and electronics
Cantando Admont
Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass
Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon
under the direction of
Cordula Bürgi
Location: Progr, Bern
Trilogie Animal - Human - Monster
Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.
Location: Gare du Nord, Basel
Trilogie Animal - Human - Monster
Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.
Location: Kunstraum Walcheturm, Zürich
Trilogie Animal - Human - Monster
Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.
Location: Le Cap, Bern
Construct/Radiate III
with works by Dieter Ammann, Franck Bedrossian, Katharina Rosenberger and Karin Wetzel (winner of the 2020 Construct-Radiate Composition Competition)
under the direction of Mike Svoboda
https://www.neuverband.ch
Location: Gare du Nord, Basel
Construct/Radiate III
with works by Dieter Ammann, Franck Bedrossian, Katharina Rosenberger and Karin Wetzel (winner of the 2020 Construct-Radiate Composition Competition)
under the direction of Mike Svoboda
https://www.neuverband.ch
Location: Ono, Bern
ARRANGEMENTS
Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik
Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik
Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik
Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables
Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl
* CH Premiere of the new version (y-band arrangement)
y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre
Location: Ackermannshof, Basel
ARRANGEMENTS
Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik
Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik
Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik
Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables
Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl
* CH Premiere of the new version (y-band arrangement)
y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre
Location: Kunstraum Walcheturm, Zürich
ARRANGEMENTS
Sam Pluta (1979) – ATD V (2010) für Ensemble und Live-Elektronik
Katharina Rosenberger (1971) – Modules* (2015) für Ensemble und Live-Elektronik
Andreas Eduardo Frank (1987) – Claquers (2018) für Ensemble und Live-Elektronik
Martin Lorenz – For Ensemble Y* (2011) für Ensemble und Turntables
Alexander Schubert (1979) – Bureau du Sol (2011) für Schlagzeug, Saxophon, Keyboard, E-Gitarre und Timecode-Vinyl
* CH Premiere of the new version (y-band arrangement)
y-band
Roberto Maqueda, Schlagzeug & Idee
Felix Nagl, Keyboard
Andreas Eduardo Frank, Live-Elektronic
Joan Jordi Oliver, Saxophon,
Thilo Ruck, E-Gitarre
Location: Musik 21, Klangbrücken Festival, Hanover
Katharina Rosenberger
»untitled« (2002) Stereo Tape
Matti Heininen
»Neues Werk« Uraufführung für Akkordeon und Schlagzeug
Georg Friedrich Haas
»Sayaka« (2006) für Akkordeon und Schlagzeug
Katharina Rosenberger
»Neues Werk« Uraufführung für Akkordeon und Schlagzeug
Magnus Lindbergh
»Metal Work« (1984) für Akkordeon und Schlagzeug
Katharina Rosenberger
»The_Line« (2007) Video/Sound Art
Margit Kern, accordion
Olaf Tzschoppe, percussions
Location: Progr, Bern
Trilogie Animal - Human - Monster
Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.
Program: Human
Erik Oña (1961-2019) – Jodeln (2003/2004)
Karlheinz Stockhausen (1928 - 2007) Tierkreis (1974–75)
Wassermann, Zwilling, Jungfrau, Waage
Mikel Urquiza (*1988) – Ars memoriae (2019)
Eric Wubbels (*1980) – Tautology & Translation (2012)
Erin Gee (*1974) – Mouthpiece: Segment of the 4th Letter
Katharina Rosenberger (*1971) – new work (2021)
Location: Kunstraum Walcheturm, Zurich
Trilogie Animal - Human - Monster
Ensemble Lemniscates Trilogie concert series is the core of their artistic Activities within their home area of northern switzerland. The Ensemble plays 3 different concert programs with an overarching dramaturgy.
Program: Human
Erik Oña (1961-2019) – Jodeln (2003/2004)
Karlheinz Stockhausen (1928 - 2007) Tierkreis (1974–75)
Wassermann, Zwilling, Jungfrau, Waage
Mikel Urquiza (*1988) – Ars memoriae (2019)
Eric Wubbels (*1980) – Tautology & Translation (2012)
Erin Gee (*1974) – Mouthpiece: Segment of the 4th Letter
Katharina Rosenberger (*1971) – new work (2021)
Location: St. Elisabeth-Kirche, Berlin, 20h00
Program
Laurie Schwartz
Outtakes from the Dangerous Women Files – #1 the heroines (2016/2020) UA
Laurie Schwartz
Outtakes from the Dangerous Women Files – #2 the deeds (2020) UA
Katharina Rosenberger
Urban Morphologies – Issue #11/20 (2020) UA
with Betina Kuntzsch (video)
Karen Power
…when one duck leaves the row… (2020) UA
http://www.ensemble-mosaik.de/konzerte.php
Location: Kunstraum Walcheturm, Zurich, 20h00
no voice other than this pen...
Gesprächskonzert - concert & talk
Programm
Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...)
for four voices, bass clarinet, accordion and violin
Alexander Kaiser (*1985)Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics
Hannes Kerschbaumer (*1981) Das irdische Leben
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
hyperdermic drift, wp
for four voices, three instruments and electronics
Cantando Admont
Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass
Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon
under the direction of
Cordula Bürgi
Location: List Halle, Graz
no voice other than this pen...
Gesprächskonzert - concert & talk
Programm
Katharina Rosenberger (*1971) Aufzeichnungen eines Stimmlosen, wp
(no voice other than this pen...)
for four voices, bass clarinet, accordion and violin
Alexander Kaiser (*1985)Der Tamboursg’sell
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
The countryside is in convulsion, wp
for four voices, objects, contrabass clarinet, accordion, violin and electronics
Hannes Kerschbaumer (*1981) Das irdische Leben
Music: Gustav Mahler
Text: from des Knaben Wunderhorn
Instrumentation: Alexander Kaiser
hyperdermic drift, wp
for four voices, three instruments and electronics
Cantando Admont
Akiko Ito, Sopran
Helena Sorokina, Alt
Bernd Lambauer, Tenor
Ulfried Staber, Bass
Johannes Haase, Violine
Marco Sala, Klarinette
Maria Mogas Gensana, Akkordeon
under the direction of
Cordula Bürgi
Location: Kunstraum Walcheturm, Zurich
Trilogie Animal - Human - Monster
Program: Animal
Location: Helmut List Halle, Graz, 20h00
Program
Happiness Seriousness - A Counterpoint
*Björn Wilker - Die Quelle des Unbekannten
*Film: Elizabeth Hobbs / Carola Bauckholt - The Flounder
*Katharina Rosenberger — blur (2019)
*Film: Rebecca Blöcher/ Eva Reiter- Lickalike
*Improvisation — Ensemble, Seiltanz, Vokalsolo
*Film: Samantha Moore/ Malin Bång – Bloomers
*„Spiegelungen“ — Seiltanz & Vokalsolo
Rebecca Saunders — Sole
*Film: Johanna Kozuch/ Ying Wang - Music Box
*Charles Ives — the unanswered question
*Film: Michelle Kranot / Iris ter Schiphorst- Suggestion of least resistance
*Michael Pelzel — Dance of the magic water bells (2014)
David Moss, Vokalsolist
Sarah Lindermayer, Seiltänzerin
Musikalische Leitung: Patrick Hahn
Regie: Mirella Weingarten
Dramaturgie: Andreas Schäfer
Klangregie: Peter Böhm
Filmprojektion: Martin Repka
Jörg Schildbach, Licht
Location: Helmut List Halle, Graz, 20h00
Program
Happiness Seriousness - A Counterpoint
*Björn Wilker - Die Quelle des Unbekannten
*Film: Elizabeth Hobbs / Carola Bauckholt - The Flounder
*Katharina Rosenberger — blur (2019)
*Film: Rebecca Blöcher/ Eva Reiter- Lickalike
*Improvisation — Ensemble, Seiltanz, Vokalsolo
*Film: Samantha Moore/ Malin Bång – Bloomers
*„Spiegelungen“ — Seiltanz & Vokalsolo
Rebecca Saunders — Sole
*Film: Johanna Kozuch/ Ying Wang - Music Box
*Charles Ives — the unanswered question
*Film: Michelle Kranot / Iris ter Schiphorst- Suggestion of least resistance
*Michael Pelzel — Dance of the magic water bells (2014)
David Moss, Vokalsolist
Sarah Lindermayer, Seiltänzerin
Musikalische Leitung: Patrick Hahn
Regie: Mirella Weingarten
Dramaturgie: Andreas Schäfer
Klangregie: Peter Böhm
Filmprojektion: Martin Repka
Jörg Schildbach, Licht
Location: Hörsturm-Festival, Konviktstrasse 8, Ried im Innkreis
Programm:
Katharina Rosenberger – Gesang an das noch namenlose Land (2013)
Iannis Xenakis – Ikhoor (1978)
Klaus Lang – weisse äpfel für Streichtrio (2009)
Alicja Pilarczyk, Violine
Sophie Wahlmüller, Viola
Ellen Fallowfield, Violoncello
Location: Acker Stadt Palast, Berlin, 16h30
Program
Malte Giesen
Studie (2020) UA
Katharina Rosenberger
Urban Morphologies – Issue #08/20 (2020) UA
with Betina Kuntzsch (video)
Clemens Gadenstätter
studies for portraits in a surrounding (with JLG) - Phase 1 (work in Progress) (2020)
I am very happy to announce that I have been awarded with the 2019 Guggenheim Fellowship in Musical Composition. This enables me to go on an extended artistic research and composition project with the fabulous [Switch~ Ensemble].
For more information:
https://www.gf.org/fellows/all-fellows/katharina-rosenberger/
https://www.switchensemble.com/
Location: ONLINE STREAMING, 20h00
Works by Rosenberger, Frank, Kessler, Zvezdina, Kurliandski, Beil
Location: Göteborgs Konserthus, Gothenburg, Sweden 18h
Gageego! performs a concert dedicated to trombone music.
Three world premiers by Wat, Hakansson, Bang and a Swedish premier of my SHIFT for 10 instruments and two spatialized trombones.
https://www.gso.se/program/konserter/gageego-3/2020-04-19-18:00/
Location: tba, Cologne
I will embark on a new collaboration with accordionist Margit Kern
new work for accordion and percussion
http://margitkern.de
Location: Art Share, Los Angeles
wasteLAnd will present a brand new version of modules scored for tenor sax / trombone / e-guitar / piano
Location: Theater Rigiblick, Zurich
Musikpodium - Inspiration Bildende Kunst
und mit Werken von Cécile Marti und Rudolf Kelterborn
Location: tba
Location: Eastman School of Music, Rochester, USA
World premier of "Up Close", composed in close collaboration with [Switch~ Ensemble], for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.
The commission and concert is supported by New Music USA, Ernst von Siemens Musikstiftung, Stuttgart and by the Guggenheim Fellowship, which allowed me to take time off from teaching and fully concentrate on this project
Location: Eastman School of Music, Rochester, USA
World premier of "Up Close", composed in close collaboration with [Switch~ Ensemble], for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.
The commission and concert is supported by New Music USA, Ernst von Siemens Musikstiftung, Stuttgart and by the Guggenheim Fellowship, which allowed me to take time off from teaching and fully concentrate on this project
Location: Akademie der Künste, Berlin 6.30pm
as part of reConvert's "Lecture About Myself" by Kaj Duncan David
“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.
The Line (2007) video/sound art
The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger
For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert
Location: Progr, Bern
as part of reConvert's "Lecture About Myself" by Kaj Duncan David
“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.
The Line (2007) video/sound art
The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger
For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert
Location: tba, Geneva
as part of reConvert's "Lecture About Myself" by Kaj Duncan David
“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.
The Line (2007) video/sound art
The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger
For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert
Location: Wurm, Basel 9pm
as part of reConvert's "Lecture About Myself" by Kaj Duncan David
“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.
The Line (2007) video/sound art
The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger
For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert
Location: Kulturhaus Helferei, Zurich
as part of reConvert's "Lecture About Myself" by Kaj Duncan David
“Lecture About Myself” is a 30-minute audiovisual performative situation in which two musicians enter into a fictive dialogue with an artificial intelligence. The latter communicates via projected text and abstract video images. The former are seated at a table in front of the projection surface. With microphones, a vocoder, synthesizers and various controllers, they ‘speak’ a strange language that is only partly intelligible. Crucially, their vocal utterances are turned into control data that is used to feed various electronic sound and light processes. What results could be positioned somewhere between an uncanny conversation with an AI (parts of which are unintelligible) and a hallucinatory/phantasmagoric radio drama.
The Line (2007) video/sound art
The Line (2007) denotes metaphorically the enigmatic path we walk down every day... at times known... at times bewildering; a given, marked by an ever-mutating configuration of events and encounters, parading against the steady backdrop of passing time.
Filmed, edited and produced spring 2007 in Brooklyn/Greenpoint by Katharina Rosenberger
For the occasion of "Lecture About Myself", The Line will be screened twice, once with its original sound work (Rosenberger) and once with a live improvisation by reConvert
Location: Radialsystem, Berlin 20h
OHRKNACKER
Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik
https://radialsystem.de/programme/58199/205621/?lang=en
Location: UCSD, Experimental Theatre, La Jolla
[Switch~ Ensemble] presents a workshop performance of our brand new project "Up Close" for flute / bass-clarinet / percussion / piano / violoncello, close-up microphones and lights.
Also on the bill trio music (cl, pno, vcl) of Ashley Fure, Anne Louise Walton and "surge" by Rosenberger
Location: Resonanzraum, Hamburg 20h
OHRKNACKER
Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik
https://www.triocatch.com/de/ohrknacker.html
Location: Wohnzimmer, Markthalle Basel, 20h
On trombones Jon Roskilly, Kevin Austin, Stephen Menotti, and Mike Svoboda.
Quartets by Annesley Black, Valerio Sannicandro, Jon Roskilly, and Kevin Juillerat, as well as "strangely entertaining" (Quote: Mike Svoboda) duos from Loic Destemau and Katharina Rosenberger
Location: The Institute, Zurich
OHRKNACKER
Trio Catch discusses and features the composition surge (2018), which saw its world premier at the 2018 Wittener Tage für neue Kammermusik
https://www.triocatch.com/de/ohrknacker.html
Location: Tinguely Museum, Basel, Switzerland, 20h
MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello
and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto
http://vertixesonora.net/en/evento/migracion-iii/
MIGRACIÓN IV
The program features a new version of "blur" for flutes / baritone sax / e-guit / perc / piano / violin / violoncello
and music by Paul Clift, Lula Romero, Leonardo Idrobo, Ramón Souto
http://vertixesonora.net/en/evento/migracion-iii/
Location: Salle de l'Aubette, 35 Place Kleber, Strasbourg 15h30 - 17h30
Impulse neue Musik
Panel "Avons-nous la même oreille?"
with
Björn Gottstein
Lydia Rilling
Katharina Rosenberger
Stéphane Roth
Location: The Witold Lutoslawski Concert Studio, Warsaw, Poland
Reprise of the orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann
Location: Güterbahnhof Wolf, SBB Halle
World premier of site-specific orchestral work Rein with the Basel Sinfonietta, under the direction of Baldur Brönnimann
Location: Museo Vostell Malpartida, 21h
Alessandra Rombolà (flute) and Xelo Giner (saxophone) present music by
Daniela Terranova, Inés Badalo, Diana Rotaru, Alessandra Romolà, Sarah Nemtsov, Fran MM Cabeza de Vacca
Monday, July 22, 2019 14h
Lecture
Conservatorio di Svizzera italiana, Lugano
Aula 305
http://www.ticinomusica.com/concerto/compositori-svizzeri-contemporanei-si-presentano-22-7-2019/
MEET THE ARTISTS
/ Stuttgart / Theaterhaus / Südseite-P2
Regisseur Ludger Engels und Komponistin Katharina Rosenberger geben Einsicht in die Arbeit an Ihrer neuen Installation, die in Zusammenarbeit mit den Neuen Vocalsolisten entstanden ist:
The Journey
Klang- und Videoinstallation
mit den Neuen Vocalsolisten
Momo Lischker, Schnitt
Andrew Munsey, Ton
„The Journey“ basiert auf der szenischen Aufführung „tempi agitati“. Die Installation versteht sich nicht als Dokumentation, sondern spiegelt das Potenzial einer Live-Performance und damit von einem Geschehen mit autonomer Ausdruckskraft, die sich im Medium Video wiederfindet.
Auf drei Leinwänden und mit einem mehrkanaligen Raumklang wird die Unmittelbarkeit der Live-Performance und die Nähe von Publikum und Neuen Vocalsolisten neu ausgelotet sowie die Wahrnehmung von Raum und Zeit.
Die Installation nimmt Bezug auf die historische Relevanz der „cori spezzati“ und ihre großen Meister aus der Renaissance: Adrian Willaert und Cipriano de Rore. Zentrales literarisches Bild ist dabei Francesco Petrarcas beschwerliche Bergbesteigung des Mont Ventoux. Die Suche nach Zugehörigkeit, Einklang und Sinn seiner Existenz gewinnt durch die speziell für die Installation entwickelte Choreographie sowie Nah- und Detailaufnehmen an Intensität und Eindringlichkeit.
„The Journey“ zieht das Publikum in einen immersiven und sinnlichen Sog, inmitten der kraftvollen Stimmen der Neuen Vocalsolisten
Die Installation ist zugänglich in kleineren Gruppen von 8-10 Personen.
Die Künstler*innen sind vor Ort und ein Austausch mit dem Publikum wird angestrebt.
Theaterhaus Stuttgart
Südseite-P2
Siemensstraße 13
70469 Stuttgart
Deutschland
Kontakt/Anfahrt:
https://mdjstuttgart.de/kontakt.html
Location: Stockalperschloss, Brig
Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?
http://franziskaheinzen.com
Location: Tonhalle Düsseldorf
Soprano Franziska Andrea Heinzen and pianist Benjamin Mead present
LIEDREZITAL: KOMPONISTINNEN: ZIERDE ODER MEISTERIN?
http://franziskaheinzen.com
Location: Smock Alley Theatre, Dublin, Ireland, 20h
Retro Disco performs yet again "if they bite with all their might". Further works by Jannik Giger, Eoin Callery, Robert Ashley, David Sontón Caflisch.
The 2019 Archipelago Academy is dedicated to composing for the voice!!
March 31 to April 7, 2019 in Geneva.
With Katharina Rosenberger and the Neue Vocalsolisten.
Open to composers born after January 1st 1989 (30 years old in 2019 or younger).
Application deadline: February 28th, 2019
Info: https://www.ulysses-network.eu/competitions/archipel2019/
Location: Kaserne Basel, Switzerland, 17h
As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.
Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.
Location: Kaserne Basel, Switzerland, 20h
As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.
Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.
Location: Kaserne Basel, Switzerland, 20h
As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.
Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.
Location: Kaserne Basel, Switzerland, 20h
As part of Fritz Hauser's Chortrommel Project, with the Basler Madrigalisten and Trio Click. This concert features the concert version of Meeresgesänge.
Further works by Olivier Cuendet, Fritz Hauser, Christian Henking, Leonardo Idrobo, Vera Kappeler, Lucas Niggli, Denis Schuler and Mike Svoboda.
Location: Médiathèque Valais, Sion, 7.30pm
L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt
Location: Studio Ernest-Ansermet, Geneva, 11am
L'Estonie & la Suisse
with music by Tulve, Holliger, Reinvere, Rosenberger, Pärt
Location: National Sawdust, Brooklyn, New York, 7pm
World premier of "folds"
The performance takes as its starting point a cantata by the remarkable 17th–century composer/vocalist Barbara Strozzi, which is fragmented and dovetailed with Rosenberger’s audiovisual response. Ghostly projections and evocative electroacoustic sounds drawn from paper complement Cuckson’s expressive playing. The artists then “fold the page” and turn to the current era with an interpretation of recent music played and chosen by Cuckson herself to reflect further on the notation and transmission of ideas.
https://nationalsawdust.org/festivals-and-series/ferus/
folds is generously supported by National Sawdust, and in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the Foundation for Contemporary Arts Emergency Grant.
Location: HAU Hebel am Ufer, 8-10pm
features "modules" performed by Ensemble KNM Berlin
also on the bill
Fågelle w/ Beate Kunath (visuals) || Claudia Robles - Angel || Akkamiau Kočičí aka Lenka Kocisova w/ Alessandra AiKia Werkstatt aka Alessandra Leone (visuals) || gudrun gut || NeoNeoneo Hülcker w/ #AntoniaBaehr || Paula Schopf || Mary Čtvery || Zorka Wollny || Nora Krahl w/ Sena Basoz (visuals) || Nina Dragicevic || Steffi Weismann || Annea Lockwood || Jessica Ekomane Etoua
http://www.heroines-of-sound.com/
Location: Chinese University of Hong Kong, Hong Kong
Location: Oil Tank Culture Park in Seoul, South Korea, 8pm
Location: The Vortex, 7pm
M.A.R.S. Music & Arts ReSounds, Los Angeles 2018
Multiverse
world premier of "In the dream that I dreamed, you awoke" for soprano, flutes, bass clarinet, tenor saxophone, trombone, violoncello, electronics and 3D projections
in collaboration with THIS PLAY, Vienna and the musicians of the MARS collective
Location: La Romandie
An evening concert dedicated to the portrait CD SHIFT, featuring modules and compositions for two trombones Re-SHIFT & Interludes
performed by zone éxperimentale basel & les trombones de bâle, under the direction of Mike Svoboda
Location: Münster Bern
Nachtgezeiten / Zeitinseln
World premier of SCHICHTUNG '50 for organ and electronics. In collaboration with organist Daniel Glaus.
Location: KKL Lucerne
World premier of "Meeresgesänge", a composition for a choir sculpture and three percussionists
featuring the Basler Madrigalisten and Trio Klick
Location: Christuskirche, Conrad-Wilhelm-Hase-Platz 1, Hannover
Hochschule für Musik, Theater und Medien
CHORPROJEKT EARTH#SKY#SPACE: Konzert "Space"
Werke für männliche Stimmen von u. a. Enno Poppe und Katharina Rosenberg und vier Uraufführungen von Studierenden der Kompositionsklasse Ming Tsao/Gordon Williamson. Außerdem wird ein Kurzfilm über die Zusammenarbeit zwischen den Singenden und Komponierenden zu sehen sein.
Mit Martin Nagy, Tenor | Guillermo Anzorena, Bariton | Andreas Fischer, Bass (Neue Vocalsolisten Stuttgart)
Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/
q u a r t e t - bodies in performance
klang und video installation
9 - 23 juni 2018
Im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.
vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.
quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur
Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.
Location: Salisbury Congregational Church
Performed by student participants of the festival :-)
Location: Kunstraum Walcheturm, Kanonengasse 20, 8004 Zürich
http://www.walcheturm.ch/
q u a r t e t - bodies in performance
klang und video installation
9 - 23 juni 2018
v e r n i s s a g e
freitag, 8 juni, 2018
live performances
19h15 simone keller, klavier
19h45 moritz müllenbach, violoncello
20h15 brian archinal, schlagwerk
danach sounds by dj pyroman, turntables
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
im video: brian archinal _ schlagwerk | simone keller _ klavier
moritz müllenbach _ violoncello | krassimir sterev _ akkordeon
katharina rosenberger _ komposition | carlotta holy _ kamera
markus brunn _ licht | alice fischer _ ton | damien inderbitzin _ postproduktion video
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quartet ist eine klang- und videoinstallation, welche die ineinandergreifenden verbindungen zwischen klangerzeugung und performance-gestik ausleuchtet und den akt der komposition an physische artikulation bindet. dem publikum wird die einsicht in das eigentliche spiel des instrumentes untersagt. die aufmerksamkeit wird stattdessen auf die anatomie des rückens der performer_innen gelenkt, der sich sorgfältig illuminiert vor einem endlosen schwarz dem publikum präsentiert. somit sind es die durch das spiel animierten rückenmuskeln, welche die musik visualisieren, den rhythmus hervorheben, crescendi und accelerandi untermalen und die zuhörer_innen in die physische beanspruchung des jahrelangen intensiven übens und strapazierens von diesem oder jenem muskel einweihen.
vier unabhängige solokompositionen wurden den musiker_innen auf den leib geschrieben, doch in der installation treffen diese kammermusikalisch und willkürlich aufeinander. frei im raum stehen die lautsprecher und das publikum ist eingeladen, die installation zu begehen, um sich eine eigene abmischung der instrumentalklänge anzueignen und dabei auch die zartesten geräusche zu erwischen.
quartet ist dem new yorker künstler ernesto klar und der tänzerin mariangela lopez gewidmet, welche die inspiration zu dieser arbeit lieferten.
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Wir danken für die grosszügige Unterstützung:
Fondation Nestlé pour l'Art | Nicati-de-Luz | Gemeinnützige Gesellschaft des Kantons Zürich | Stadt Zürich Kultur | Kanton Zürich Fachstelle Kultur
Grosser Dank auch an Iza Hren, Ruth Held, Andreas Werner und Hans Gut.
Location: Meany Studio Theatre, University of Washington
Location: CalArts | California Institute of the Arts
under the direction of Nicholas Deyoe and invited trombonists Matt Barbier and Weston Olencki, the students of CalArts perform the American premier of SHIFT
Location: UCSD, Concert Prebys Music Hall
Wonderful kallisti ensemble performs excerpts out of the tempi agitati vocal cycle, Vive Faville for six and Tratti Confluenti for two spatialized singers.
On the program as well compositions by Elizabeth Angot, Ana Sokolović and Karin Rehnqvist.
Location: Zentrum für Kulturproduktion
ignm Bern MAKROKOSMOS
Works by Manos Tsangaris, Simon Steen-Andersen, Katharina Rosenberger, Blaise Ubaldini, Carolyn Chen, Justin Rabideau, Miao Zhao, Katelyn Rose King-Utzinger, Marie Delpart.
https://ignm-bern.ch/konzerte/makrokosmos
featuring the Neue Vocalsolisten
www.archipel.org
Sound X presents
2.30pm Western Washington University, Department of Music
7.30pm Performing Arts Center, Western Washington University
Location: Center for New Music
With works by the Swiss composers Walter Feldmann, Tobias Krebs, Katharina Rosenberger and Jürg Wyttenbach as well as the stand-out compositions from composition students of Stanford University and UC Berkeley
Location: Temple University
Location: Spectrum, 70 Flushing Avenue, Garage A, Brooklyn
Program
William Dougherty – that feeling in your jaw
Fernando Manassero – Drop of Mercury
Dieter Ammann - d'Accord(s)
Katharina Rosenberger - La Chasse
Matias Far - El poeta – en 7 letras, una de ellas releida
Paul Clift – duet/anagram
Location: An Die Musik Live!
January 4-7, 2018 SoundOn Festival voyages at The Athenaeum Music & Arts Library
Gesang an das namenlose Land was beautifully performed by Mona Tiang (violin), Mark Menzies (viola), Frankling Cox (violoncello)
http://sandiegonewmusic.com/2018-soundON.html
Location: Ackermanshof
Further works by David Sontòn Caflisch, Jannik Giger, and Michael Meierhof.
Location: New Zealand School of Music
And with music by Sarah Ballard, Michael Norris, Oliver Thurley, Michael Wertmüller.
Location: Forum Nueva Musica Cordoba
And music by Stefan Prins, Mark Barden, Mark Andre, Oliver Thurley, Michael Wertmüller
Location: Konzertsaal 1, ZHdK
SABRe / Premiere Concert
with premiers by Thomas Kessler, Jacopo Baboni-Schilling, Marc Estibeiro, and existing work by Laurie Altman, and nodes by Katharina Rosenberger
Location: Studio6
EXPATS!
a concert organized by IGNM BERN
And with music by Richard Barret, Ricardo Eizirik, and Nemanja Radivojevic, u.a.
Location: New Music On the Point
A portrait concert featuring la chasse, five faville, E.E.Cummings Miniatures
performed by New Music On the Point faculty and students.
Location: Gare du Nord
World premier of Bögen for four hand piano and coordinated movements.
The concert features a dozen of newly composed pieces all circling around György Kurtág's Játétok.
Location: Angel City Brewery
M.A.R.S. Festival
M.A.R.S. Electric featuring music by Charles Peck, Saad Haddad, Alyssa Weinberg, and Jorge Sanchez-Chiong.
Location: Atlas Theater, University of Colorado
New Pendulum Music Series
World premier of multichannel electro-acoustic work flowchart_1,and wonderful interpretation of ahom for solo piano by Hsing-ay Hsu.
For more information: https://www.colorado.edu/pendulum-new-music/
Location: Gare du Nord, Basel
PlanetBACH, Swiss Chamber Concerts
And with music by Johann Sebastian Bach and Amadeus Mozart.
Location: Conservatoire de Genève
PlanetBACH, Swiss Chamber Concerts
And with music by Johann Sebastian Bach and Amadeus Mozart.
Location: Conservatorio della Svizzera Italiana
PlanetBACH, Swiss Chamber Concerts
And with music by Johann Sebastian Bach and Amadeus Mozart.
Location: Experimental Theatre, Conrad Prebys Music Center
Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.
Location: Conrad Prebys Concert Hall
Location: Kunstquartier Bethanien
Klangwerkstatt
And further works by Jannik Giger, Stefan Keller, Ricardo S.Eizirik.
Carlsbad Music Festival
And works by Michael Finnissy, Richard Valittuto, Chaya Czernowin, Amy Beth Kirsten, and Thomas Adès.
Location: L’Eglise Notre-Dame à Saint Père
La Cité de la Voix
tempi agitati (excerpts) and music by Karlheinz Stockhausen and Evis Sammoutis.
Location: SeaM, Bauhaus University
No-LIMITS Festival für Elektroakustische Musik
featuring music u.a. by Caroline Miller, Teresa Carrasco.
Location: Kino Apollo
une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco, Comagnie BINºOCULAIRE, and Ensemble ö!
if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.
Location: Ancienne Couronne
une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco, Comagnie BINºOCULAIRE, and Ensemble ö!
if they bite with all their might is written for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.
Location: Kunstraum Walcheturm
une Festivalette, featuring intermedia works, musique mixte and film. A collaboration of Retro Disco, Comagnie BINºOCULAIRE, and Ensemble ö!
Worldpremier of if they bite with all their might for hn, Korg MS20 mini, cello, spoken text and 18 live activated light bulbs.
Location: Erarta Museum
Festival reMusik
And works by Jannik Giger, Michael Wertmüller, Michael Petzel, Stefan Keller, Enno Poppe, Mehdi Hosseini.
Location: Los Angeles City College
Schubert Resonances
And works by Kevin Kelly, Richard Valittuto, Chaya Czernowin, Morton Feldman, and Franz Schubert.
Location: Stanzerei
Numu Concert Series
Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24 for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)
Location: Conservatoire de Lausanne
Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24 for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)
Felicja Blumental Festival
Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24 for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)
Location: Stiftskirche
Site specific concert for 6 a capella voices.
In collaboration with Ludger Engels, staging, choreography.
Location: Gare du Nord
a concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.
Location: Fondation l'Abri
A concert with music by Jean-Luc Darbellay, Claire-Melanie Sinnhuber, Ashkan Behzadi, Beat Furrer, Michael Jarrell, and Katharina Rosenberger.
Location: KKL Concert Hall
Surround orchestra, featuring Yaron Deutsch and Maurizio Grandinetti on e-guitars on the side galleries, with a wind quartet (ob, cl, t-sax, trp) and percussion on the balcony.
Under the direction of Steven Sloane.
Location: Beta Level, Chinatown
And more fine music by Kurt Isaacson, Weston Olencki, Tomothy McCormack, Katherine Young, Nicholas Deyoe, and Matt Barbier.
Location: Centre Henri Pousseur
Festival Image Sonore
curated by Ine Vanoeveren
Location: Eastman School of Music
Location: Kleiner Wasserspeicher, Prenzlauerberg
Opening, September 3, 6pm
on view Thu to Sun, 2pm to 7pm
see also www.vivavoce.ch
Location: Christuskirche
Portrait Konzert Katharina Rosenberger
Upon the invitation of the Hannoverischen Gesellschaft für Neue Musik, curated by Margit Kern.
Location: CPMDT Geneva
As part of the conference "La direction d'orchestre au prisme du genre".
Location: Italian Cultural Institute of San Francisco
with works by
Meris Angioletti / Alessandro Cardinale / Zoè Gruni /
Laura Riboli / Matteo Vinti
a show co-curated by Katharina Rosenbeger, Anna Dusi, Maria Francesca Palmerio.
Location: Cheyenne Central High School Auditorium
LCCC Foundation Concert
Location: Gare du Nord
Program:
Katharina Rosenberger – Interlude I for sax, e-gtr, perc, pno & electronics (2015)
Marco Momi “Cinque Nudi” for saxophone & electronics (2013)
Katharina Rosenberger “Interlude II” for sax, e-gtr, perc, pno & electronics (2015)
Enno Pope – Arbeit for keyboard solo (2007)
Katharina Rosenberger “Interlude III” for sax, e-gtr, perc, pno & electronics (2015)
Michael Meierhof – Splitting 24 for percussion solo (2012/13)
Katharina Rosenberger “Interlude IV” for sax, e-gtr, perc, pno & electronics (2015)
Fausto Romitelli – Trash TV Trance for electric guitar solo (2001)
Katharina Rosenberger “Interlude V” for sax, e-gtr, perc, pno & electronics (2015)
Location: University of Florida
Florida Contemporary Music Festival
Featuring the acoustic and electro-acoustic works of Daniel Kellogg and Katharina Rosenberger
Unerhörte Musik
Location: Schloss Werdenberg
SCHLOSSMEDIALE WERDENBERG
Das Ewig Weibliche
with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)
http://madrigali-notturni.krosenberger.ch/
Location: UCSD Conrad Prebys Concert Hall
Location: Temple Allemande
with Vokal Solistenensemble Voc_4:
Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano)
Christa Wenger (Licht)
Ric Schachtebeck (Choreographie)
Katharina Rosenberger (Composition, Concept)
Helena Tsifilidis, stranger in company (production)
Location: UCSD Experimental Theatre
SPRING FEST 2014
Location: Schlosskirche Pforzheim
Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).
Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari.
Location: Eglise St. Foy
Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).
Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari.
Location: Gare du Nord
Project ANIMA TRIANGULI is part of "Triptic" a trinational initiative launched by Swiss Art Council Pro Helvetia and Gare du Nord, Basel to celebrate humanistic thought of the Upper Rhine area.
ANIMA TRIANGULI features premieres of the three composers Marc André (France), Hans Thomalla (Germany) and Katharina Rosenberger (Switzerland).
Gesang an das noch namenlose Land, a concert installation, for vln, vla, vcl and a three part installation of hand crafted tapestries, is a collaboration between composer Katharina Rosenberger and artist Abdolreza Aminlari.
Location: Gare du Nord
Journées Contemporaines
with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)
http://madrigali-notturni.krosenberger.ch/
Location: Stadthaus Zürich
Klangraum - Raumklang
an initiative by Musikpodium Zürich
with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)
http://madrigali-notturni.krosenberger.ch/
Location: Kreuzgang, Grossmünster
Klangraum - Raumklang
an initiative by Musikpodium Zürich
with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)
http://madrigali-notturni.krosenberger.ch/
Location: Arne-Jacobsen-Foyer, Herrenhäuser Gärten
KunstFestSpiele Herrenhausen
with Vokal Solistenensemble Voc_4: Svea Schildknecht (Soprano), Agnieszka Kowalczyk (Soprano), Sylvia Nopper (Mezzo Soprano), Leslie Leon (Mezzo Soprano) Christa Wenger (Licht) Ric Schachtebeck (Choreographie) Katharina Rosenberger (Composition, Concept) Helena Tsifilidis, stranger in company (production)
www.http://madrigali-notturni.krosenberger.ch/